![]() Take a piece like Schumann’s “Solitary flowers” from “Waldscenen”. They will isolate and repeat endlessly a single element. Technical studies, of course are a different matter altogether. A real worthwhile musically piece will use several different techniques – in fact whatever technique is necessary to bring about the music. ![]() A real repertory piece will not be restricted to one or even two or three major techniques. What xvimbi just said is very true: There is no such a list. Instead of looking for real repertory pieces that allow you to master a certain technique, you should approach it by mastering the techniques that allow you to play real repertory pieces. I think you are approaching this problem upside down. In the end, you've covered all technical aspects, all periods and have a thorough understanding of music from Baroque to Modern. The only downside is that the editors did not always do a great job, but if your background is strong, you'd be able to catch those spots right away. It's great to work on one or two pieces by one composer, then move on to another one, and so on. ![]() Of course, they do cover all technical aspects as well, but it's not really emphasized that way. This way, you learn about the performance practices (ornaments, pedalling, touch, interpretation, etc.), rather than purely technical aspects. The titles are "Bach - An introduction to his keyboard works" or "Grieg - An introduction to his piano works" and the like. Alfred has a series that covers all of the main composers. Burgmueller, but none of them is really complete (AFAIK.) I personally prefer a different approach, namely, a gradual introduction into the works of a given composer or era. There are several collections of etudes that try to cover what you have in mind, e.g.
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